Everyone at ENO – no matter what department they work in – is full of passion and a desire to bring opera to everyone. The variety of work – no one day is the same. I worked for more than seven years on a variety of clients becoming Associate Director at a leading PR agency, and completed a secondment to the Really Useful Group where I worked on a number of exciting projects for Andrew Lloyd Webber before joining ENO. I subsequently made the move over to public relations where I enjoyed the quick pace and the thrill of seeing things I worked on appear in print or on TV. I started in political lobbying straight after university, but after a couple of years quickly became disenchanted with politicians (and this was way before Brexit!). And with the balcony full of kids making use of our Under 18 Free Ticket offer, the atmosphere at the London Coliseum was electric.īringing Carol Kirkwood to her first opera, and broadcasting the weather live from our roof on a chilly Valentine’s Day morning to the millions of viewers of BBC Breakfast. The Magic Flute – visually unforgettable. Olivia joined ENO in December 2018, having worked as Associate Director at a PR agency specializing in media, entertainment and theatre. Working with a whole range of incredible people who constantly strive to achieve the best possible work through a collective belief that what we do is important. What do you love most about working at ENO? I started as an intern at Glyndebourne Festival Opera gaining a remarkable insight into the workings of a leading opera company and falling in love with the art form. After looking at it in a tiny model box for months and months and then walking into the auditorium and seeing the actual design on stage is always pretty special. It’s always the same moment, seeing a set on stage for the first time. The show went on to win an Olivier Award as well as be performed in Los Angeles and have a future presentation in New York at the Metropolitan Opera. He has over 20 yrs experience working for various international Opera Houses.Īkhnaten– from the first week of rehearsals we knew that something very special was being created. Bob joined ENO in 2005 as the Company Manager before becoming a Producer, the Programming Director and then moving to his current role, working alongside Annilese Miskimmon, the Artistic Director.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |